Wednesday, July 5, 2017

MUSIC APPRECIATION CLASS--COLLEGE LEVEL--SAMPLE TEACHING PLAN (15 WEEKS)

Teaching Plan For A Music Appreciation Class (15-Week Format)
Name of Week
Concepts, including musical works covered
Week 1
Introduction to the Class
What is music?
What makes music the way it is?

Words to cover in class:
orchestra, string orchestra, soloist, fugue, counterpoint, answer,
episode, pedal point, theme, recurrent theme, consonance,
aesthetics, dissonance, resolution, melody, harmony, accompaniment.

The Four Seasons (Vivaldi)
Little Fugue in G minor (J.S. Bach)
Week 2
Words to cover in class:
toccata, fugue, oratorio, cadenza, arpeggio, chord

Toccata and Fugue in D minor for Organ (J.S. Bach)
Messiah (Handel)
Week 3
Words to cover in class:
symphony, sonata, sonata form, exposition, development,
recapitulation, coda, main theme, closing theme, secondary
theme.

Sonata in C major, L. 104 (Scarlatti)
Surprise Symphony, second movement (Haydn)
Week 4
Review for Quiz 1
(would cover material in Weeks 1-3)
Quiz 1

Words to cover in class after Quiz 1
Motive, orchestration, full score, partition, symphony, names of
the common symphony orchestra instruments.
Symphony no. 40  in G minor, first movement (Mozart)
Week 5
Words to cover in class:
Concerto, double concerto, double exposition.

Piano Concerto no. 20 in D minor (Mozart)

Week 6
Words to cover in class:
pianoforte, key, hammer, soft pedal, damper pedal, damper, chromaticism, key center, minor, major.

Für Elise for piano solo (Beethoven)
Symphony no. 5 in C minor, first movement (Beethoven)
Week 7
Words to cover in class:
opera, overture, programmatic music, program music, pizzicato,
arco, trill, climax, crescendo, decrescendo, tutti.

Egmont Overture (Beethoven)
William Tell Overture (Rossini)
Barber of Seville Overture (Rossini)
Week 8
Review for Midterm Exam
(covering material from Week 1-8)

Midterm Exam
Week 9
Words to cover in class:
fantasy, impromptu, funeral march, slow movement, ABA form,
duet sonata, quasi-operatic

Fantasy-Impromptu (Chopin)
Funeral March Sonata in B-flat Minor, third movement (Chopin)
Spring Sonata in F Major for Violin and Piano, first movement
       (Beethoven)
Choral Symphony, fourth movement (Beethoven)
Week 10
Words to cover in class:

Hungarian dance, phrase, legato, tremolo, stretto, sforzando, piano,
forte, fortissimo, pianissimo, conducting, 3-beat conducting.

Symphony no. 9 in B minor, "Unfinished", first movement
   (Schubert)
Piano Concerto no. 5 in E-flat Major for orchestra, first movement (Beethoven)
Symphony no. 4 in E minor, 1st movement (Brahms)
Hungarian Dance in G minor (Brahms)

Week 11
Words to cover in class:
fingerboard, nut, bowed-string, bow, barcarolle, gondoliera,
rondo, rondo capriccioso, introduction

Violin Concerto in E minor, first movement (Mendelssohn)
Barcarolle in F-sharp minor from "Songs Without Words"
    (Mendelssohn)
Introdcution and Rondo Capriccioso for Violin and Orchestra
    in A minor (Saint-Säens)
Introduction and Rondo Capriccioso for piano solo, op. 14
    (Mendelssohn)
Week 12
Prepare for Quiz 2
(covering material from Weeks 9-11)
Quiz 2

Week 13
Words to cover in class:
csardás, lassan (lassù), friska (frisk), tramscription, arrangement,
Impressionism, seventh chord, ninth chord, eleventh chord,  art song

Hungarian Rhapsody no. 2 (Liszt)
Baba-Yaga and The Great Gate of Kiev from "Pictures At An
    Exhibition"
    (Mussorgsky/Ravel)
Prelude to an Afternoon of a Fawn (Debussy)
Clair de lune, from "Suite Beremasque" (Debussy)
Clair de lune, French art song for piano and voice (Fauré)

Week 14
Words to cover in class:
adagio, fanfare, bolero, malagueña, flamenco, suspension,
minor-seventh chord, divisi, accelerando

Adagio For Strings (Barber)
Fanfare for the Common Man (Copland)
Bolero (Ravel)
Malagueña (Lecuona)
Week 15
Preparation for final exam
(involving material covered in all 14 weeks)
Final exam

Addendum
Concert attendance assignments:
Excellent sources would be the Dame Myra Hess concerts and the Classical Mondays
concerts at the Chicago Cultural Center, or some of the recitals at the Roosevelt University (Chicago), or some of the concerts held at the Daley Center for their
At The Picasso series (during the spring and summer, such concerts are done usually
outside the Daley Center).

Note: This class covers mainly the classical repetoire from the 17th century to the

early 20th century.