Friday, September 4, 2015

How To Make a Traditional Piano Master Class Better?

The usual way most piano master classes are done:

* A student comes up to the piano while the master teacher sits at a moderate distance from the piano, as the student gives the score to the teacher.
* The student plays the piece all the way through.
* Afterwards, after a short applause (which doesn't happen in all occasions), the master teacher comes up to the student to make comments to the student.
* Often, the comments are made more to the student and much less to the observers or audience

The overall result of this traditional piano master class method is that often the class ends up rather boring.

First Interesting Way To Hold a Piano Master Class--"The PowerPoint Method"

1. PowerPoint Presentation of the score performed by a master class student, for watchers/observers to see the score--not just the master teacher watching the score alone.

2. The only drawback is that this method requires a PowerPoint slide show operator who is well-versed in piano repertory and can sight-read well, with page turning experience a plus

3. Creates a stronger visual element for people who, for unforeseen reasons, cannot bring the piano score of the piece or pieces played at the master class

Second Interesting Way to Hold a Piano Master Class: The "Appreciation" Method

* In addition to making comments to the master class student, the master teacher can ask questions to the audience to audience or even comment to them about the piece or pieces.
For instance, say a student is playing the "Razocky March" (Hungarian Rhapsody no. 15) by Liszt. The teacher would say things like
"This piece is actually an operatic transcription based on a devilish operatic character used by Hector Berlioz, one of Liszt's friends, as well as Arrigo Boito and Charles Gounod. Who is that character?" The audience tries to answer. If they fail, the teacher would say..."If you had said Faust, then you are exactly right..."

This method helps to reinforce music appreciation of piano repertory.

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