Group Piano
Course--15 Week Plan
Note: Bold-faced items will indicate new material.
Week 1--Day 1
--The Staff
--The Measure
--The Time Signature
--The Staff Systems
[The introduction will also cover basic note types and its rhythms (e.g., the quarter note)]
* Reveal concept of "reading from left to right" on the staff
* The 4 spaces on the staff (The "F-A-C-E" concept)
* The 5 lines (The "Every Good Boy Does Fine" concept)
* Introduction to Piano Music Notation
--The Staff
--The Measure
--The Time Signature
--The Staff Systems
* Reveal concept of "reading from left to right" on the staff
* The 4 spaces on the staff (The "F-A-C-E" concept)
* The 5 lines (The "Every Good Boy Does Fine" concept)
Pentatonic Major
Scales--Up and Down
*C major, C# major, D
major,, Eb major, F major, F# major, G major, Ab major
Week 2--Day 1
REVIEW* Pentatonic Major Scales--Up and Down
* C major, C# major, D major,, Eb major, F major, F# major, G major, Ab major
Pentatonic Major Scales--Up and Down
A major, Bb major, B major, C major
Week 2--Day 2
REVIEW
* Pentatonic Major Scales--Up and Down
C major, C# major, D major,, Eb major, F major, F# major, G major, Ab major,
A major, Bb major, B major, C major
Introduction to Major
Scales Going Up and Down an Octave
Examples: C major, G,
major* Fingering for the major scale involving the octave
* Introduction to the half-step and whole
step
Week 3--Day 1
Major Scales Going Up
and Down an Octave* C major, C# major, D major,, Eb major, F major, F# major, G major, Ab major,
A major, Bb major, B major, C major
Major Scales Going Up and Down an Octave
* C major, C# major, D major,, Eb major, F major, F# major, G major, Ab major,
A major, Bb major, B major, C major
* Students should prepare to play either a pentatonic major scale going up and down or a major scale going up and down an octave.
Quiz 1
* The student chooses whether or not to play a pentatonic up-and-down major scale or
an octave up-and-down major scale.
* The teacher selects at random several major keys, and the student should do the scale
without unnecessary stopping.
* The quiz would be about 3-4 minutes for each student.
* The natural
* The harmonic
* The melodic
Introduction to the flatted and sharpened scale degrees.
Concept:
* Think of natural minor scale as unchanged in the notes.
* Think of the harmonic minor scale with its altering of the 7th degree up a
semitone.
* Think of the melodic minor scale as starting with the 6th and 7th degrees raised
a semitone in ascending and the 6th and 7th degrees lowered back a semitone in
descending.
Examples:
C minor scales in natural, harmonic, and melodic
F# minor scales in natural, harmonic, and melodic.
Week 5--Day 2
Minor Scales Up and
Down and Octave, First in Natural, Harmonic, and MelodicF minor, F# minor, G minor, G# minor, A minor.
Week 6--Day 1
REVIEWMinor Scales Up and Down and Octave, First in Natural, Harmonic, and Melodic
A minor, Bb minor, B minor, C minor, C# minor, D minor, Eb minor, E minor,
F minor, F# minor, G minor, G# minor, A minor.
Introduction to the
Church Modes:
Examples: C major scale in Ionian Mode, D minor scale in Dorian Mode, E minor scale in Phrygian Mode, F major scale in Lydian Mode, G major scale in Mixolydian Mode, A minor scale in Aeolian Mode, B minor Scale in Locrian Mode
REVIEW
Introduction to the Church Modes:
Reinforcement of
Understanding of the Church Modes with transposed keys in either of the modes:
C minor in Dorian, F#
major in Lydian, Bb minor in Phrygian, G minor in LocrianE major in Ionian, A major in Mixolydian, G# minor in Aeolian
* Focus on material covered from Weeks 1-6
* Place special emphasis on the church modes and the three types of natural minor
scales
Week 7--Day 2
*Should be about 8 hours.
* 30-40 minutes for each student.
Format for exam would be in three phases
* Basic music notation rudiments
* Scales
* Church modes
Week 8--Day 1
Introduction to the
triadsThe C major triad
*Root, First Inversion (6-3) and Second Inversion (6-4)
The C major scale going up, all in triads
*Root, First Inversion (6-3) and Second Inversion (6-4)
The C minor scale, going up, all in triads (natural minor only)
Week 8--Day 2
REVIEWIntroduction to the triads
The C major triad
* Root, First Inversion (6-3) and Second Inversion (6-4)
The C major scale going up, all in triads
* Root, First Inversion (6-3) and Second Inversion (6-4)
The C minor scale, going up, all in triads (natural minor only)
Introduction to the technical terms for the major scale, using the triads
*Tonic, supertonic, mediant, sub-dominant, dominant, sub-mediant, leading tone
Major Scales Going Up
in Triads
* F major, D major, G
major, Bb majorMinor Scales Going Up in Triads
* A minor, Eb minor, C minor, E minor
Week 9--Day 1
REVIEW* F major, D major, G major, Bb major
Minor Scales Going Up in Triads
* A minor, Eb minor, C minor, E minor
Sight Reading
Exercise
"Mary Had A
Little Lamb""Twinkle, Twinkle Little Star"
Week 9--Day 2
REVIEW
"Twinkle, Twinkle Little Star"
Sight Reading Exercise
"The Irish Washerwoman Jig"
"The Dominant Seventh
* Root
* The 7-6-5 (first inversion)
* The 5-4-3 (second inversion)
* The 5-4-2 (third inversion)
* First Inversion
* Second Inversion
* Third Inversion
Week 10--Day 1
"The Irish Washerwoman Jig"
The Dominant Seventh
* The 7-6-5 (first inversion)
* The 5-4-3 (second inversion)
* The 5-4-2 (third inversion)
* Root
* First Inversion
* Second Inversion
* Third Inversion
Basic Chord Progressions
(Keys: C major, F major, G major)
I-IV-V-I
I-IV-I
I-V-I
I-IV-III6-V6-I
Basic Chord Progressions With Primary Dominant Seventh
(Keys: C major, F major, G major)
I-IV-V7-I
I-V7-I
I-V6-I
5
Week 10--Day 2
REVIEW:Basic Chord Progressions
(Keys: C major, F major, G major)
I-IV-V-I
I-IV-I
I-V-I
I-IV-III6-V6-I
Basic Chord Progressions With Primary Dominant Seventh
(Keys: C major, F major, G major)I-IV-V7-I
I-V7-I
I-V6-I
5
Introduction to
Secondary Dominants and Secondary
Domiant Sevenths
Basic Chord
Progressions With Secondary Dominant Sevenths(Keys: C major, F major, G major)
C: I-V7-V
-------V
----
bvii
3
-------
V
Week 11--Day 1
Prepare for Quiz 2* Review of material covered in Weeks 6-10.
Week 11--Day 2
Quiz 2
* Concepts covered from Weeks 6-10
* Should be about 30-40 minutes each student* Focus on the three songs covered in sight-reading, the dominants and the
dominant-sevenths, and the triads.
Week 12--Day 1
* The Blues scale
using C Major as an example
(notes C-Eb-F-F#-G-Bb)
* 12-Bar-Blues
Patterns
(using chord progressions C-F-C-G-F-C and
C-F-C-Dm-G7-C)
* Introduction to
Walking Bass in Jazz Music
Sight Reading
Exercise
First 16 measures of
"C Jam Blues" (of Duke Ellington)
Week 12--Day 1
* The Blues scale using C Major as an example
(notes C-Eb-F-F#-G-Bb)
* Introduction to 12-Bar-Blues Patterns
(using chord progressions C-F-C-G-F-C and C-F-C-Dm-G7-C)
*Introduction to Walking Bass in Jazz Music
Sight Reading Exercise
First 16 measures of "C Jam Blues" (of Duke Ellington)
Rhythmic Exercise
Pentatonic C Major
Scales Going Up and Down, in 4/4 time* Start with Half Notes, then Quarter Notes, then Eighth Notes, and then Sixteenth
Notes.
* Start with Sixteenth Notes, then Eighth Notes, then Quarter Notes, then Half
Notes.
Week 13--Day 1
REVIEW
Rhythmic Exercise
Pentatonic C Major Scales Going Up and Down, in 4/4 time
* Start with Half Notes, then Quarter Notes, then Eighth Notes, and then Sixteenth
Notes.
* Start with Sixteenth Notes, then Eighth Notes, then Quarter Notes, then Half
Notes.
Introduction to the Arpeggio
Pentatonic Arpeggios in Major Triads Going Up and Down
C major, C# major, D major, Eb major, E major, F major, F# major, G major,
G# major, A major, Bb major, B major
Pentatonic Arpeggios in Minor Triads Going Up and Down
C minor, C# minor, D minor, Eb minor, E minor, F minor, F# minor, G minor,
G# minor, A minor, Bb minor, B minor
Week 14--Day 1
REVIEWIntroduction to the Arpeggio
Pentatonic Arpeggios in Major Triads Going Up and Down
C major, C# major, D major, Eb major, E major, F major, F# major, G major,
G# major, A major, Bb major, B major
Pentatonic Arpeggios in Minor Triads Going Up and Down
C minor, C# minor, D minor, Eb minor, E minor, F minor, F# minor, G minor,
G# minor, A minor, Bb minor, B minor
Sight Reading
Exercise
J.S. Bach: Minuet in
G (from the Anna Magdalena Notebook)
Week 14--Day 2
REVIEW:Sight Reading Exercise
J.S. Bach: Minuet in G (from the Anna Magdalena Notebook)
Sight Reading
Exercise
M. Clementi: Sonatina
in C major, op. 36, First movementWeek 15--Day 1
Preparation for Final Exam
Review focusing on:
* Basic music notation rudiments
* All of the major scales, pentatonic and octave
* The minor scales
* The Church modes
* The sight-reading songs
* The pentatonic arpeggios
Week 15--Day 2
* 50 minutes per student
* Combination of sight-reading exercises, responding to dictations, and written
questions.
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